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VA - Way Of The Samurai LP Sampler 4 (2009)
VA - Way Of The Samurai LP Sampler 4 (2009)
Date: 02 Jul 2009, 22:51
Password: sharedmp3.net
                                                                                 


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`-----------------------:----' : design.by.ant1k
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: : _\ rippers /____.
: : release no ( 10180 ) \ rating |
: : \_____. |
: : artist (Various Artists ) | .---. |
: : title (Way Of The Samurai LP Sampler ) | 0 | | |
: : record label (Samurai Music (NZLPS004) ) | 9 | | |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2009/07/02) | 7 |%%%| |
: : street date (2009/06/22) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover ( ) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
: : | 2 |%%%| |
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: : :.: (02 tracks) (12:36 min) ( 19,7 mb) | `---' |
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nr times track titles
.----^-------^----------------------------------------------------------------.
| A 6:32 Hobzee & Zyon Base - 1000 Paper Cranes |
| B 6:04 Trei & Dose - Empty Handed |
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| | | |
| | The fourth and final sampler for the Way Of | |
| | The Samurai represents the full stylistic | |
| | diversity of the label Samurai Music. Hobzee | |
| | & Zyon Base were asked to design a tune | |
| | specifically for this project and when "1000 | |
| | Paper Cranes" arrived in the inbox it was | |
| | obvious they had a very firm grasp on the | |
| | sound the label was looking for. Fluid, | |
| | gliding vibes and a subtle sexy vocal ease | |
| | the tune into its rhythm. The breaks and bass | |
| | provide a step reminiscent of Photek to the | |
| | eastern sonics that unwind themselves around | |
| | the rhythm. A blissful excursion that | |
| | continues on from where their sublime 'Rain | |
| | On Lens' began, this tune has been receiving | |
| | heavy play from all those lucky enough to get | |
| | an advanced copy. Now its your turn to | |
| | embellish your sets with this beautifully | |
| | crafted piece of sonic architecture. "Empty | |
| | Handed" is another collaboration from rising | |
| | New Zealand production stars Trei & Dose. A | |
| | trademark epic intro becomes unsettled by a | |
| | nervous piece of riffage. Bongo's lay down | |
| | the steps for the drum roll that gives way to | |
| | the heavy rolling drop. This tune has an | |
| | energetic bounce that combines elements of | |
| | former tunes by these guys like "Shame", | |
| | "Valium Express" and "The Other Part Of Me" & | |
| | "Dirt". A sure fire dancefloor weapon and a | |
| | sign of the greatness to come from these two | |
| | talents. | |
| | | |
`-------+- +-------`
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| | | | | | | | | | | | d i s c l a i m e r : . : |
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.-----------------------------------------------------------------------------.
| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
`---------------------------------------------------------/ |
...... /____________________|
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[ sour productions(c) 1999-2009 ]

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