Password: sharedmp3.net Þ Þ Ý ÞÝ Þ ÛÛ ÞÝ ÛÛ ÛÛ ÛÛÛÛ Ý Þ ÛÛ ÛÛÛÛ ÞÝ Ý ÛÛÛÛ ÜÜ ÛÛÛÛÛÛ Ý ÛÛ Û ÜÜÜ ÛÛÛÛ ßßÛÛÛÛÛÛÛÛÛ ÞÛ ÛÛ ÛÛÛÛßßßÛÛÛÛÛÛ ÛÜÜÜ ßßß ÜÜ ÞÛ ÞÛÛÝ ÛÛÛ ² ßÛÛÛÛÛÜ ÜÜ ÛÛÛÛÛÛÛÛÛ²² ÛÛÝ r!0t/BAFH ÛÛÛÛ Ý ÛÛÛ ÛÛ²Ü ßßÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ²² ÜÜ ß ÛÛÛÛ ÛÛÛÜÜÜ ÜÛÛÛÛÛÛÛÛÛÛÝ ÛÛÛ ÛÛÛÛÛ²²Ü ßßÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛ²² ßÛÛÛÛ ÛÛÛÛÛÛÛÛ ßßßÛÛÛßßßßßß Ü ÛÛ ÛÛÛ ÜÛÛÛÛÛÛÛÛ²²ÜÜ ßßÛÛ ÛÛÛÛÛÛÛ²²ÞÛÜ ßÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÜÜÜÜÜÛÛÛÛÛ²² ÛÛÛ ÛÛß ÜÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÜÜ ÛÛÛÛÛÛÛÛ²²ÞÛÛÜÜ ßßÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛ²² ÛÛ ÛÛÛß ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÞÛÛÛÛÛÛÜÜÜÜ ßßßß ÛÛÛÛÛÛÛÛÛÛÛÛ²² ÛÛ ÛÛß ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÞÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÞÛÛÛÛÛÛÛÛÛÛÛ²² ÛÛ ÛÛ ßÛÛÛÛÛÛÛ²²ÛÛÛßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÞÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²² ÛÛ ÛÛÛÜ ßÛÛÛ²²ß ÛÛÛÛ²ßßßßßÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÞÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßÜßÛÛÛ²² ÛÛ Þ ÞÛÞÛÛÜ ß²ß ÞÛÛÛÛ²²Ü °°°°±±° ÜÛÛÛÛÛÛ²²ß ÛÛÛÛÛÛÛ²²ßÛÛÛÛÛÛÛÛÛßܲ²ÜßÛ²² ÛÛ ÞÛ ÛÛÛÜÜÜÛ ÛÛÛÛÛÛÛ²²ÜÜ °°°°ßßÛÛÛÛ²²ß ° ß ßßÛÛÛÛ²² °ßßÛÛÛÛßÜÛÛÛ²²Üß²² ÛÛÛ Þ Û ÛÛÛÛ ÞÛÛÛÛÛÛÛÛÛÛÛ²²ÜÜ °°°° ßß °°°°° ²ÜÜ ßßß²Ü °°° ß ÛÛÛÛÛÛ²²² ß ÛÛ Þ Ý ÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²²ÜÜ °°±±°° ÜÛÛÛÛ²²Ü ßßßÜÜÜÛÛÛÛÛÛÛÛÛÛ²² ÛÛÛ Û ÛÛÛ ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²² °±±°° ÜÛÛÛÛÛÛÛÛÛ²²ÜÜÜ ßßÛÛÛÛÛÛÛÛÛ²²Ü ÛÛÛÜ ÛÛ Ý ÛÛÛÝ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²² °±°° ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ßÜÛÜÛÛÛÛÛÛÛ²²Ü ÛÛÛÛÛÛ ÛÛÛÛ ÞÛÛÛÛÛÛÛ²² ßßÛÛÛÛÛÛßÜß²² °°° ÜÛÛÛ²² ßßÛÛÛÛÛÛÛ²²ÞÛÛ ßÛÛÛÛÛÛÛ²²Ü ßÛÛÛÛ ÛÛÛÛÛ ÛÛÛÛÛÛÛ²² °°°° ßßßÜÛ²²Üß ° ÜÛÛÛÛ²² °°° ÛÛÛÛÛÛ²²ÝÛß °° ßÛÛÛÛÛÛÛ²² ÛÛÛ ÛÛÛÛÛÛ ÛÛÛÛÛÛÛ²²Ý °±°°° ÜÛÛÛÛÛ²²Ü ÛÛÛÛÛ²² °±±° ÛÛÛÛÛÛ²²ß °±°° ßÛÛÛÛÛÛ²² ÛÛ ÛÛßßßßß ÛÛÛÛÛÛÛÛ²² °°±° ÜÛÛÛÛÛÛÛÛÛ²²ÜßÛÛ²ß °°°±° ÞÛÛÛÛÛ²² °°°±±°°° ßÛÛÛÛÛ²² Û ÛÛ Û²²Ü ÛÛÛÛÛÛÛ²² °°±° ßÛÛÛÛÛÛÛÛÛÛ²²ÜßÛÛÜÜ °°° ÞÛÛÛÛÛ²² °°°°°°°±° ßÛÛÛÛ²² Û ÜÛÛÛ²²° ÛÛÛÛÛÛÛ²Ý °°±°° ßÛÛÛÛÛÛÛÛÛÛ²²ÜßÛÛÛÜܰ° ÛÛÛÛÛ²²ÝÜÜÜÜÜÜ °°°°° ßÛÛÛÛ²² ÜÛÛÛÛÛ²²° ÛÛÛÛÛÛ²²Ü °°°°°° ßÛÛÛÛÛÛÛÛÛÛÛ²²ÜßÛÛÛÛÛÜ ÛÛÛÛÛ²²ÞÛÛÛÛÛÛ²²Üܰ° ßÛÛÛ²² ÜÛÛÛÛÛÛÛ²²° ÛÛÛÛÛÛÛ²²ÛÛÛ²²ÜÜÜÜÛßÛÛÛÛÛÛÛÛÛÛ²²ÜßÛÛÛÛÛÛÛÛÛÛÛ²ÜÞÛÛÛÛÛÛÛÛÛ²²ÜÜ ÛÛ²² ÛÛÛÛ²²ßÜÜÜÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ÜßÛÛÛÛÛÛÛÛÛ²²ÜÞÛÛÛÛÛÛÛÛÛÛÛÛßÛÛ²² ÛÛÛÛÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²Üß²ÛÛÛÛÛÛÛ²² ßÛÛÛÛÛÛÛÛÛÛÛÛÛ²² ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ²²ß ÜÜ ßß²ÛÛ²² ßÛÛÛÛÛÛÛÛÛ²²ß Ü ÛÛÛÛÛÛÛÛÛÛßßßßßß ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ ßßßÛÛÛÛÛÛÛÛ²² ÜÛÛÛÛÛÜÜ ßÛ²² ÛÜ ÛÛÛÛÛÛ²²ß ÜÛÛ ÛÜ ÛÛÛÛßß ÜÜÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜÜ ßÛÛÛÛ²² ÜÛÛÛÛÛÛÛÛÛÜÜ ß ßÛÜ ßÛÛ²²ß ÜÛÛÛÛ ÛÛÜ ß ÜÜÛÛÛÛÛßßßßßß ßßßÛÛÛÜ ßÛ²² ÜÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÜßÛÛ ß²ß ÜÛÛÛÛÛÛ ÛÛÛÛÜÜÛÛßß < E O S > Ü ßÛÛÜ ² ÜÛÛßß ßßßß ÛÛ ß ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛ ÛÛ < M P 3 > ÛÛÛ ßÛÛÜÜÜÛÛ Ü ÛÛÜÛÛÛÛÛÛÛ ÛÛÛÛ ÛÛÝ ÛÛ ÛÛÛÛÛÛ ÛÛÛ ßßßß ÛÛÛÛ ÛÛÛÛ ÛÝ P r o u d l y Û ÛÛÛÛ ÛÛ ÛÛ ÛÛ Ý P r e s e n t s . . Ý ÛÛÛÛ Û ÛÛ ÛÛ Ý ÛÛ Ý ÞÝ ÞÝ Ý ÛÛ Þ ÝÄÄÄÄÄÄ Release Info ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÞÝ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ Ý ÄÄÄÄÄÄÄÄ Þ Þ Þ Originally released : 10-15-1996 Release date : 11-14-2006 Album name : Christmas Eve And Other Stories Artist : Trans-Siberian Orchestra
Ripped by : itachi Genre : Rock Label : Lava
Encoding Software : Lame EOS Quality : -V 2
Tracks : 17 Size of Files : 85,1 MB
Ä Track list ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
01 03:52 An Angel Come Down 02 04:19 O Come All Ye Faithful/o Holy Night (Instrumental) 03 03:50 A Star To Follow 04 03:53 First Snow (Instrumental) 05 02:22 The Silent Nutcracker (Instrumental) 06 04:43 A Mad Russian's Christmas (Instrumental) 07 03:33 The Prince Of Peace 08 03:25 Christmas Eve/sarajevo 12/24 (Instrumental) 09 06:36 Good King Joy 10 03:38 Ornament 11 00:55 The First Noel (Instrumental) 12 06:18 Old City Bar 13 02:41 Promises To Keep 14 04:20 This Christmas Day 15 03:52 An Angel Returned 16 02:40 O Holy Night (Post Script) 17 01:16 God Rest Ye Merry Gentlemen (Post Script)
Total time: 62:13 min Ä Release notes ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
What would happen if members of Savatage decided to write some Christmas songs? Easy: Trans-Siberian Orchestra. This "supergroup" is the brainchild of Jon Oliva and Paul O'Neill (respectively the leader-keyboardist and the producer of Savatage). They hired Al Pitrelli (Asia, Savatage) to play guitars, Robert Kinkel to help with keyboards, John Middleton (also a member of Savatage) on bass, and Jeff Plate on drums. Lead vocals are shared by six vocalists, while some of the backing vocals are handled by Savatage lead singer Zachary Stevens. Christmas Eve and Other Stories is a concept album: all the songs are built as chapters of a book, each telling part of a larger story. The plot here is of a young angel sent down to Earth to find and bring back to the Lord "the one thing that best represents everything good that has been done in the name of this day." The angel's quest takes him all over the world, through Russia and Sarajevo, until he finally hears the prayer of a father. This last piece is the strongest moment on the album and makes for a miniature story within the larger story. It is basically told in a trilogy of songs: in the first, "Ornament," we hear the father's prayer, explaining how he hasn't seen his daughter in many years. In "Old City Bar," the angel finds the daughter, standing alone outside a bar, and talks to the bartender who, out of a random act of kindness, takes all the cash from his register drawer and gives it to the girl so she can go home. The third song, "This Christmas Day," has the father praising God, thanking him for bringing his daughter back to him on this night of all nights. It is a very touching story, pondering the thought that "If you want to arrange it/This world you can change it/If we could somehow make this/Christmas thing last/By helping a neighbor/Or even a stranger." Musically, the band has taken some traditional Christmas songs ("O Come All Ye Faithful," "O Holy Night," "The First Noel") and mixed in some modern rock music. The result is stunning and very impressive. It is filled with energy that simply blows you away. The already classic "Christmas Eve/Sarajevo 12/24" is a gripping instrumental based on "God Rest Ye Merry Gentlemen" (although you might have to listen carefully to hear it). Fans of progressive music should like this one. And if you're into the more recent works of Savatage (like Handful of Rain or Dead Winter Dead) you'll really love this.
Alex S. Garcia (AMG)
Ä Contact ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ÄÄÄ Ä Ä
Contact us @ : #eos (efnet)
Ûßß ß ß ßßÛ ßÛß²ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß²ßÛß ßßßßßß ß RIPPING AT ITS FINEST -- ECONOMY OF SOUND ß ßßßßßß
|