°
° ÿ ° °
° ° ÛÜ ²°ÿ ° ÜÛÜ
ÜÜ ß° ° ° ÛÛÛÛ ²²° ÿ ° ÛÛÛÛÛÜ ²± °
ÛÛÛÛÛÛ ß²²²°° ° Û°±ÛÛ Û²°ÿ °ÿ Û°°°°ÛÜ ²± °
° Û±°°°ÛÛÛ ²Û²²° ÛÛ°°°Û Û²°°ÿ ÛÛ°±°°ÛÛ ²±°
° Û°°°°°±ÛÛÛ ÛÛ²° ÛÛ°±°°ÛÛ Û²² Û°°°°ÛÛ ±° ° °
Û±°±°°°°°ÛÛÛ Û ÿÛ°°°°°±ÛÛ Û² ÛÛ°±°ÛÛ Ü °
Û°°°±°±°°°°ÛÛÛ ÛÛ°°±°°°°ÛÛ Û ÛÛ°°°ÛÛÿÿÜÛÛÛÜ °
Û°±±±±±±±°±±±ÛÛ ÿÿÛ±±°°°°±°ÛÛ . Û±°°±Û ÿÛÛ°°°ÛÛÛÛÛÜ °
Û±°±ÛÛÛÛ±±°°±±ÛÛÛ ÛÛ±±°±°°±°Û Û±°±ÛÛ ÛÛ°°°±°°°°°ÛÛÛÜ °
° Û±±°Û ßÛÛÛ²±°°°Û ÛÛ±±±°±±°ÛÛ ÛÛ±°±Û Û°±°±°°°±°°°°°ÛÛÜ °
Û°±±ÛÛ . ÛÛ±±±±ÛÛ Û±°±±²±±°ÛÛÛ±°±ÛÛ ÛÛ±±±±±±±°°°±°±±±ÛÛ ² °
Û±²±°Û ²² ÛÛ±²±°ÛÛ ÛÛ±±±±±°±°Û±±°°Û Û±±°ÛßÛÛ²±°±°°±°ÛÛß Û² °
ÞÛ±±±°Û Û²² Û±±±±°Û Û±±²±±±²±±°±±±Û ÛÛ±°°ÛÿÿÛ±±±°±±°ÛÛ Û²° °
ÛÛ²±±±ÛÜ Û ÜÛ±²±±±ÛÛ Û²±±°±²±±°±²±°Û Û±±±°ÝÿÞÛ±²±±°ÛÛÛ Û²° ° °
° Û±±±²±°ÛÛ ÜÛÛ±±±²±²±Û Û±±±±±±±²±°±°±Û Û±²±°ÛÜÛ²±±°ÛÛÛ ÜÛ²°° °
°Û±²±±±±±ÛÛÛ±±²±±±±²ÛÛ Û±²±²±²±²±±±±°Û Û±±°±±±±±²±ÛÛ ÜÛÛ²²°°° ° °
Û²±±²±²±±±±±±²²±²±ÛÛ Û±±±²±±±±²²±²ÛÛ Û±±²±±²±²²±Û ßßÛÛÛ²²° ° °
Û±²²²±²²²²±²±±²²²ÛÛ ÛÛ±²±²±²±²±²±±Û Û±±±±±²±²±±ÛÛÛÛ ßÛÛÛ²²²°°
Û²²±²²²²±²²²²²²±ÛÛ ÛÛ±±²²±±±²²²±²²Û ÛÛ±²±²±²²±²±±±±ÛÛÛ ßÛÛÛÛ²° ° °
ÞÛ²²²±²²²²±ÛÛÛÛßßÿ ÛÛ±²ÛÛÛÛ²²²²²±±±Û Û±±²±²²±±²²²±²±±±ÛÛÛÛ ßÛÛ²°
° ßÛ±²²²²ÛÛÛÛ ÛÛ²±²Û ÛÛ²²±²²²±Û Û±²±²²²±ÛÛÛ²²±²²±±±±ÛÛÛÛ ßÛ²° °
° ßÛÛÛÛÛÛ ÛÛÛÛÛÛ²²²ÛÛ ÛÛÛ²²²±²Û Û²²²²±²±ÛÿÛÛ²²±²²²±²²±±ÛÛÛ ßÛ²° °
ÛÛÛ²²²²±²²Û Û Û²²±²±Û Û²±²²²±²ÛÿÿÛÛÛ²²²±²²²²²±±ÛÛÜ ²°°
° ÛÛ±²²²ÛÛß Û²± ÛÛ²²²ÛÛ Û²²²±²²±Û ÜÿÿÛÛ²²²²²ÛÛÛÛÛÛÛß °
° ÛÛ ÛÛÛ²ÛÛ Þ²²±°° ÛÛ²±Û Û²²²²²²ÛÛÿÛ²ÿ ÛÛ²±²ÛÛ °
°ÛÛÛ ÛÛß ° ° Û²²Û ÛÛ±²²±²ÛÛ Þ²±° ßÛÛÛß ° °
° °ÛÛ²Û ° ÛÛ±Ûÿ ßÛÛÛÛÛß ²±° ° °
°ÛÛ ²Û ° °ÛÛ ÛÛÛ ° ° °
° °°ÛÛ ²Û ° °ÛÛÛÛ ßß ° ° °
°ÛÛÛ ÛÛ °Û ²ÛÛ ° ° ° °
ó °²ÛÛÛÛÛ ²Û °Û ²ÛÛÛ ÿÿÿ
ÛÛ °Û ²ÛÛÛ²±° DO NOT RESUSCITATE °Û²°°ÛÛ°²Û° ò ¯
²Û ÿ°Û ÿÿ
® PROUDLY Û °ÛÛ
²Û°Û
PRESENTSÿ¯ ²ÛÛ Say Anything - Is A Real Boy
²Û
ARTIST : Say Anything
TITLE : Is A Real Boy
LABEL : J Records
GENRE : Alternative ÜÛÿ
° ° ÛÛÛÝ
° ° ÛÛ±ÛÛ ¯
ÿÜÜ ° ÛÛ± ÛÛÜ
° ÿÿ°±²²ÛÛÛÛÛ²±°ÿRIP INFORMATIONÿ°±²ÛÛÛÛÛÛÛÛÛÛÛÛßÛÜ ÛÛ±ÿ ßÛÛÛÛ²±°ÿ ° ÿ °
ÛÜÛÛ±
ÛÛ±
ß ÿ
STREET DATE : 02/28/2006
RiP DATE : 02/28/2006
AVG BiTRATE : 213 KBps
ENCODER : Lame DNR (3.97b) -V 2 --vbr-new
GRABBER : EAC
QUALiTY : 44.1KHZ / Joint-Stereo °
SiZE : 126,0 MB ÛÜ
° ° ° ÛÛÛÝ
° ÛÛ±ÛÛÝ
ÜÛÜÜ ° ÛÛ± ÛÛÜ
° ÿÿ°±²²ÛÛÛÛÛÛ²±°ÿTRACK LISTINGÿ°±²ÛÛÛÛÛÛÛÛÛÛÛÛßÛÛÜ ÛÛ±ÿ ßÛÛÛÛ²±°ÿ ° ÿ ÿ°
ÛÜÛÛ±
ÛÛ±
ß ÿ
(#) (TRACK NAME) (TIME)
...Is A Real Boy
01. Belt 04:58
02. Woe 03:55
03. The Writhing South 04:46
04. Alive With The Glory Of Love 04:15
05. Yellow Cat (Slash) Red Cat 05:17
06. The Futile 02:43
07. Spidersong 03:56
08. An Orgy Of Critics 03:55
09. Every Man Has A Molly 03:05
10. Slowly, Through A Vector 04:41
11. Chia-Like, I Shall Grow 04:55
12. I Want To Know Your Plans 05:12
13. Admit It!!! 06:12
...Was A Real Boy
01. Wow, I Can Get Sexual Too 03:00
02. Little Girls 03:53
03. Most Beautiful Plague 04:54
04. It's A Metaphor Fool 02:52
05. Total Revenge 03:28
06. Metal Now 02:44
07. I Will Never Write An Obligatory Song About 03:49
Being On The Road And Missing Someone
°
° °
TOTAL TiME: 82:30 min ÛÜ
° ° ° ÛÛÛÝ ¯
° ÛÛ±ÛÛ
ÜÛÜÜ ° ÛÛ± ÛÛÜ
° ÿÿ°±²²ÛÛÛÛÛÛÛÛÛÛ²±°ÿNOTES °±²ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛßÛÛÜ ÛÛ±ÿ ßÛÛÛÛ²±°ÿ ° ÿ ÿ°
ÛÜÛÛ±
ÛÛ±
ß ÿ
J Records has re-released Say Anything...Is A Real Boy as
a double disc. The first containing the 13 tracks
originally released on Doghouse Records in July of 2004.
The second disc containing 7 unreleased songs.
Band Bio:
Hello, my name is Max and this is the bio I had to write
for my band. We are called Say Anything. We have existed
since Coby started playing drums over the horrible songs
I wrote about girls while attending high school in Los
Angeles, California. Being the egomaniacal singer type, I
proceeded to kick out and\or drive away pretty much
anyone else who joined the band, so there were a ton of
lineup changes, yet somehow Coby and I ended up selling a
lot of our self released\recorded cd. Soon, all these
strange children started to repeatedly attend our live
shows and tell their friends until we garnered a motley
crew of a fan base.
Being fresh faced teenagers, as well as the fact that we
were playing with bands like the Promise Ring (and, like,
Rooney) it wasn't a surprise that all these big scary
labels saw us as a safe bet and tried to get us to sell
our souls to them. They also told us we could be the next
Blink182 if we gave them our first-born children and
agreed to do whatever the wanted. That didn't sound so
hot so we chose to be totally "underground" and sign to
Doghouse Records. They've put out such obscure,
borderline D.I.Y records as The All American Rejects. We
were stoked at this point, but how we looked (goofy) and
sounded (annoying) had us lumped in with a certain genre
that was begging, begging for a backlash. I got really
disillusioned and weird and went to college for a
semester. Thus, I decided we needed to make "respectable"
music.s
During the lonely, depressing period of time when I
dropped out of college to prepare for writing and
recording our first record for Doghouse, I thought often
about what the point of my life was. Was I doomed to
remain yet another earnest, upper-middle class bred
whine-rocker? After all, hidden deep in the recesses of
my mind, I had hidden the notion that I could do
something incredible and different, that I could be
somebody like Warhol, or Jesus. I had to write an album
that was revolutionary in its content and presentation.
Finally, one night, it hit me. THAT was what my record
had to be about: the artistic struggle, the fact that
every creative person has this sick ambition to affect
some sort of change in society with their art, to be more
than just a guy in a band or a poet or a sculptor. I
couldn't decide if this ambition was a good or bad thing
but I decided to parody that overzealous drive in human
beings by crafting a truly over the top musical
about...myself. The songs were jam packed with fairly
blatant nods to bands I dig (Queen, Saves the Day,
Pavement, Faith No More, Fugazi, etc).
Together, the songs formed a narrative arc that we wrote
an entire script around. The plot centered around a
neurotic collegiate punk rocker (based on myself) who is
imbued with a strange power that causes his inner
thoughts to burst out of his mouth uncontrollably, backed
by full instrumentation. He becomes the unwilling
superhero of all things rock.. However, the process of
playing all the instruments except for drums and singing
all day turned into such an intense, draining process
that I ended up wandering the streets of Brooklyn in a
psychotic daze and getting thrown into the looney bin for
two weeks. Needless to say, that sucked, so we parted
with the idea of the "plot" portion of the record and
decided we could make a much more concise record if we
focused on just the music; after all, the songs told the
story themselves. So Tim O'Heir (produced Sebadoh,
Dinosaur Jr., Superdrag) and Stephen Trask (wrote the
songs for\produced Hedwig and the Angry Inch) helped me
create a debut record (entitled Say Anything
