Password: sharedmusic.net --------------------------------------------------------------------- Giants - Old Stories ---------------------------------------------------------------------
Artist...............: Giants Album................: Old Stories Genre................: Post Rock Source...............: NMR Year.................: 2008 Ripper...............: NMR Codec................: LAME 3.97 Version..............: MPEG 1 Layer III Quality..............: Standard, (avg. bitrate: 184kbps) Channels.............: Joint Stereo / 44100 hz Tags.................: ID3 v1.1, ID3 v2.3 Information..........: http://www.myspace.com/giantsmusic
Ripped by............: NMR Posted by............: Skid on 9/13/2008 News Server..........: news.easynews.com News Group(s)........: alt.binaries.sounds.mp3.indie alt.binaries.sounds.mp3.post-rock
Included.............: NFO, SFV, M3U, PAR v2 Covers...............: Front
--------------------------------------------------------------------- Tracklisting ---------------------------------------------------------------------
1. (00:06:44) Giants - Where The Ages Steal 2. (00:06:54) Giants - Vessels 3. (00:06:49) Giants - O Tide 4. (00:03:34) Giants - Whispered Ears 5. (00:06:17) Giants - Sleeping False Idol 6. (00:04:30) Giants - Fishermens Prayer 7. (00:04:58) Giants - At Last Ashore
Playing Time.........: 00:39:46 Total Size...........: 55.20 MB
NFO generated on.....: 9/13/2008 12:00:23 PM
--------------------------------------------------------------------- "Post-rock" is becoming a term that's tagged onto musicians who can't find their place in today's genre system. It's a lot like using the term "new wave" in the 70s. Punk was new wave, ska was new wave, synth-based music was new wave; a lot of things were "new wave."
And today, Grizzly Bear, Explosions In the Sky, 65daysofstatic, and Mogwai- -bands that have more differences than similarities--somehow fall under the same musical style.
All this new music will eventually be parsed and categorized. All that can be said now--accurately--is there's been a growing trend in rock music to slow things down, explore the dynamics of sound, and favor more uncommon song structures. If this music gets a better depiction in the coming years, there probably won't be an argument over whether or not Giants was a part of it.
The band's new LP, Old Stories, is instrumental from beginning to end; it's loaded with colorful chords; and the songs fade into one another as if the album is to be digested in one sitting. It's all pretty heavy and cerebral. After the last track finishes, you may need to sit back, loosen your belt, and take a breather.
The crux of this album is it's attention to sound. Every reverbed note rings out into an endless cave of echoes, and the crescendos are when the band truly sounds larger than life. The production quality makes Giants live up to their name--sounding 10 times larger than a Glenn Branca guitar orchestra.
"Where the Ages Steal" is a decent introduction to the LP. Giants' quiet builds, mountainous volumes, and haunting melodies give a good taste of what's to come on Old Stories. The first increase in volume comes as a bit of a surprise, but "ambient" is probably the last thing Giants wants get out of listeners' minds.
The next several tracks show more promise since the introduction is now out of the way: the builds are more gradual, there's more melodic interplay between guitars, and the volume feels like less of an assault, too. For example, "Whispered Ears" stands out due to the lack of extremity in its build. Rather than concentrating on getting loud, the band let's the marching drumbeat build and the clear, undistorted chords ring out into oblivion.
It's hard to conceive a musical interlude on a completely instrumental album, but Giants manages to pull it off on "Fishermen's Prayer": a track that sounds as vast as the ocean the album's cover depicts. There's a deep, looped drone that hums along hypnotically as a minimalist guitar melody gives the listener a bit of a breather from the heaviness of the previous track, "Sleeping False Idol."
It all ends with the piano-driven "At Last Ashore," which builds in to an appropriate drum accompaniment that sits atop a high-pitched drone of fluttering guitar notes. This track is home to the album's biggest flaw: its ending. Old Stories seems to just leave without waving goodbye, but it's understandably difficult to write a sincere ending to music that feels like it could go on forever.
But there is a silver lining to every cloud: Without a clear ending, it never really feels like Old Stories is over. And that works out since the best part about old stories is retelling them.
For more info on Giants, visit myspace.com/giantsmusic and cavityrecords.com.
If you're into Giants, you might also like Do Make Say Think, This Will Destroy You, and Explosions In the Sky.
-Article by Anthony Fantano The Needle Drop: http://theneedledrop.blogspot.com/2008/08/review- giants-old-stories.html
http://www.myspace.com/giantsmusic ---------------------------------------------------------------------
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