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ß Þ ARTiST....: Hybrid RiPPER....: Netto Ý ß
Ü Þ TiTLE.....: Morning Sci-Fi GRABBER...: EAC Ý Ü
Û Þ LABEL.....: Distinctive Breaks ENCODER...: LAME 3.93.1 Q0 Ý Û
Û Þ CAT.#.....: under construction QUALiTY...: 192k Full Stereo Ý Û
Û Þ GENRE.....: Progressive Breaks SiZE......: 98,7 MB Ý Û
Û Þ SOURCE....: CDDA REL.DATE..: 07-25-2003 Ý Û
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²Û Þ TRK# TRACK TiTLE TiME Ý Û²
Ü Þ Ý Ü
ß Þ ] Morning Sci-Fi Ý ß
ß Þ ] Ý ß
ß Þ 01] Hybrid-This is What it Means Ý ß
ß Þ 02] Hybrid-True to Form Ý ß
ß Þ 03] Hybrid-Know Your Enemy Ý ß
ß Þ 04] Hybrid-Marrakech Ý ß
ß Þ 05] Hybrid-I'm Still Awake Ý ß
ß Þ 06] Hybrid-Visible Noise Ý ß
ß Þ 07] Hybrid-We Are in Control Ý ß
ß Þ 08] Hybrid-Higher than A Skysc[CENSORED]r Ý ß
ß Þ 09] Hybrid-Steal You Away Ý ß
ß Þ 10] Hybrid-Gravastar Ý ß
ß Þ 11] Hybrid-Out of the Dark Ý ß
ß Þ 12] Hybrid-Blackout Ý ß
ß Þ ] Ý ß
Ü Þ Ý Ü
Û Þ Ý Û
Û Þ Ý Û
ß Þ Ý ß
Ü Þ Ý Ü
Ü Þ TOTAL TiME : 71:51 min Ý Ü
ß Þ Ý ß
ß Þ Ý ß
Ü Þ Ý Ü
ß Þ Ý ß
ß Þ Ý ß
ß Þ Release Notes: Ý ß
ß Þ Ý ß
ß Þ Symphony. A composition of sections or movements. Ý ß
ß Þ Hybrid. Something of mixed origin or composition. They Ý ß
ß Þ both start and end, meeting by different means, much Ý ß
ß Þ like Mike Truman and Chris Healings, who met by chance Ý ß
ß Þ once upon a time at a club in Swansea, and realising Ý ß
ß Þ that they shared the same musical ideals formed Hybrid. Ý ß
ß Þ It is somehow fitting that their first track, an Ý ß
ß Þ orchestral breakbeat opus that for it's time was unlike Ý ß
ß Þ any other track out there was to be called Symphony. Ý ß
ß Þ This soon led to the album 'Wide Angle', which further Ý ß
ß Þ developed this unique hybrid of breakbeats and Ý ß
ß Þ orchestra, taking it to the clubs and minds of many Ý ß
ß Þ worldwide. Throw in dj gigs in almost every city in the Ý ß
ß Þ world, stadium tours with Moby and a live show that was Ý ß
ß Þ witnessed by hundreds of thousands of people and you Ý ß
ß Þ can say that Hybrid's status evolved fairly quickly. So Ý ß
ß Þ quick in fact that its taken almost five years for them Ý ß
ß Þ to deliver the follow up album, but now 'Morning Sci Ý ß
ß Þ Fi' is here, and it shows an older, more matured Ý ß
ß Þ Hybrid, complete with new members Adam Taylor (lead Ý ß
ß Þ vocals and guitar) and Alex Madge (drums). Add in a Ý ß
ß Þ little help from their friends, including songstress Ý ß
ß Þ Kirsty Hawkshaw, legendary New Order bassist Peter Ý ß
ß Þ Hook, St Petersburg's acclaimed Hermitage String Ý ß
ß Þ Orchestra and an appearance from from the poet of f*ck Ý ß
ß Þ sonnets himself John Creamer and it all sounds a bit Ý ß
ß Þ rock and roll doesn't it. Maybe that's because it very Ý ß
ß Þ well could be.. or maybe it's that and a lot more.. Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ As 'This Is What It Means' slowly emerges from the Ý ß
ß Þ speakers, Hybrid craft a warm up groove over which none Ý ß
ß Þ other than John Creamer explains to us about dreams Ý ß
ß Þ within music, and what it means. It's a subtle yet Ý ß
ß Þ surreal introduction into what promises to be an high Ý ß
ß Þ octane 70 minutes or so, and as the first beats of Ý ß
ß Þ 'True To Form' drift in, the mood changes straight Ý ß
ß Þ away. A sleek percussion sits within the haunting Ý ß
ß Þ strings and powerful vocals delivered by vocalist Adam Ý ß
ß Þ Taylor (the first of several tracks he fronts), Ý ß
ß Þ gradually developing into layers of understated beats Ý ß
ß Þ that have become one of Hybrid's trademarks. However a Ý ß
ß Þ new element is introduced as bass guitar licks are Ý ß
ß Þ spliced into the beat patterns, provided by none other Ý ß
ß Þ than legendary New Order member Peter Hook. The Ý ß
ß Þ combination of beats, strings and guitar topped off by Ý ß
ß Þ Adam's diverse vocal range showcases a deeper, more Ý ß
ß Þ matured sound from Hybrid, and as the lead single from Ý ß
ß Þ the album this will do well. Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ The heavy artillery breaks are kept rolling as 'Know Ý ß
ß Þ Your Enemy' edges it's way in, tight compacted drum Ý ß
ß Þ beats crashing down like an industrial machine, fading Ý ß
ß Þ into an outer-worldly sounding break, before the Ý ß
ß Þ returning beats raise the adrenalin level once more, Ý ß
ß Þ toying with you as 'Marrakech' comes next. Slow Ý ß
ß Þ shimmering beats sit at the heart of this downtempo Ý ß
ß Þ edged cut as haunting string layers engulf the swelling Ý ß
ß Þ groove as it drops out and returns with darkner intent, Ý ß
ß Þ setting the mood for the next track, 'I'm Still Awake'. Ý ß
ß Þ ß Þ around Cafe Del Mar. The change in pace is kept slow as Ý ß
ß Þ 'Gravastar' creeps in next, it's combination of beat Ý ß
ß Þ layers and synth loops encapsulating the spacious Ý ß
ß Þ melody that slices through the centre. More Ý ß
ß Þ experimental in style than a lot of Hybrid's work to Ý ß
ß Þ date, this adds an extra dimension to an already widely Ý ß
ß Þ diverse album, fading into a thrashy beat groove which Ý ß
ß Þ means one thing. It's time to head 'Out Of The Dark'. Ý ß
ß Þ Melody lines rise out of the gaps between the dark beat Ý ß
ß Þ patterns during the outro, ethereal sounds lending an Ý ß
ß Þ eerie edge to Adam's delayed vocals, beats rising and Ý ß
ß Þ keys changing in time with his voice, sweeping and Ý ß
ß Þ dropping as the atmosphere within grows, fading out to Ý ß
ß Þ another vocal led break, this time dropping into a Ý ß
ß Þ menacing and sinister breakbeat outro, with spacial Ý ß
ß Þ effects ripping the groove apart. A dramatic finale to Ý ß
ß Þ quite possibly the standout track of the album, and a Ý ß
ß Þ real contender for a single, if not a breakbeat anthem Ý ß
ß Þ in the making. The final track on the album is the Ý ß
ß Þ heartfelt emotion of 'Blackout', featuring the vocals Ý ß
ß Þ of the very talented ex Opus III front woman Kirsty Ý ß
ß Þ Hawkshaw. As we have come to expect from her work with Ý ß
ß Þ artists such as BT and Way Out West, she delivers a raw Ý ß
ß Þ vocal performance over slow tribal drums, with the Ý ß
ß Þ backing of the Hermitage String Orchestra adding Ý ß
ß Þ emotion and power to an already outstanding finale. Ý ß
ß Þ Quite literally a track that would be the perfect Ý ß
ß Þ example of what Hybrid are all about, and bringing to Ý ß
ß Þ an end a diverse and gutsy album. Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ No doubt those who are hardcore fans of Wide Angle may Ý ß
ß Þ be slightly taken aback by the darker, slower mood of Ý ß
ß Þ the album in general, but there are more than enough Ý ß
ß Þ moments to keep such people happy, and over a number of Ý ß
ß Þ listens slowly bringing an understanding of what this Ý ß
ß Þ album is to them. Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ It's an album that refuses to be confined to one ideal, Ý ß
ß Þ an album that strives to push the envelope, whilst Ý ß
ß Þ giving you an insight into a deeper side of Hybrid, Ý ß
ß Þ revealing their influences of the past and present, and Ý ß
ß Þ taking them in a direction which breaks through the Ý ß
ß Þ restrictive confines of dance music, into the live Ý ß
ß Þ arena and into the unknown beyond. It's an album that's Ý ß
ß Þ both understated as much as it is outspoken. An album Ý ß
ß Þ that grows. As John Creamer states right at the Ý ß
ß Þ beginning, this is what it means. Ý ß
ß Þ Ý ß
ß Þ http://www.progressive-sounds.com Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ Hybrid's new album, Morning Sci-fi (part recorded in Ý ß
ß Þ Russia and part recorded at their Swansea based studio Ý ß
ß Þ in Wales), sees collaborations with NYC based Ý ß
ß Þ DJ/remixer John Creamer, Kirsty Hawkshaw, the legendary Ý ß
ß Þ Peter Hook (New Order) and The Hermitage String Ý ß
ß Þ Orchestra, St Petersburg. Ý ß
ß Þ Ý ß
ß Þ Peter Hook has co-produced and collaborated exclusively Ý ß
ß Þ with Hybrid, on the two tracks 'True to Form' and Ý ß
ß Þ 'Higher than a Skysc[CENSORED]r'. Ý ß
ß Þ Ý ß
ß Þ Morning Sci-fi offers a crossbreed of beats, Ý ß
ß Þ electronic, rock and of course, Hybrid's trademark Ý ß
ß Þ orchestral sound. Ý ß
ß Þ Ý ß
ß Þ "We've been listening to absolutely anything other than Ý ß
ß Þ dance music. I suppose that is because dance music is Ý ß
ß Þ so ingrained into what we do naturally. We've been Ý ß
ß Þ listening to stuff like The Doves, Radiohead, Soulwax, Ý ß
ß Þ New Order and lots of jangly indie guitar bands and Ý ß
ß Þ classical music, particularly the work of Arvo Part and Ý ß
ß Þ Alexander Gretchaninov." Ý ß
ß Þ Ý ß
ß Þ Chris Healings Ý ß
ß Þ Ý ß
ß Þ Having wowed both Miami Winter Music Conference and Ý ß
ß Þ Fabriclive, with their new live set up, Hybrid have Ý ß
ß Þ introduced two unique talents - Adam Taylor (lead vocal Ý ß
ß Þ and guitar) and Tim Hutton (bass) with original live Ý ß
ß Þ member Alex Madge (drums). Ý ß
ß Þ Ý ß
ß Þ "Pull your head out of your arse, this is phenomenal" Ý ß
ß Þ Ý ß
ß Þ Muzik Ý ß
ß Þ Ý ß
ß Þ "Emotive and classy, evoking everything from Massive Ý ß
ß Þ Attack to Vangelis" Ý ß
ß Þ Ý ß
ß Þ Time Out Ý ß
ß Þ Ý ß
ß Þ "Shiny & sophisticated" Ý ß
ß Þ FHM Ý ß
ß Þ Ý ß
ß Þ "Perfectly pitched between dance floor mayhem and Ý ß
ß Þ comedown comfort" Ý ß
ß Þ Ý ß
ß Þ Mixmag Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ Latest News: New Hybrid LIVE dates - live, tour & dj Ý ß
ß Þ dates Ý ß
ß Þ Mike Truman and Chris Healings are Swansea-based Ý ß
ß Þ Hybrid. Their 'type' of music has been described as a Ý ß
ß Þ mixture of breakbeat and progressive. Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ Hybrid have toured the globe DJ'ing and giving their Ý ß
ß Þ world-famous live performances - most notably Ý ß
ß Þ supporting Moby in a stunning tour of the USA. Ý ß
ß Þ Ý ß
ß Þ The second album, Morning Sci-Fi, is due to be released Ý ß
ß Þ September 2003. Ý ß
ß Þ Ý ß
ß Þ www.hybrid-group.com Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ Ý ß
ß Þ NOTE: MiP rip had copyright notices, but this version Ý ß
ß Þ is 100% clean, so enjoy! Ý ß
ß Þ Ý ß
ß Þ "Money makes the world go round :) Ý ß
ß Þ So Listen this Album free of charge and without voice Ý ß
ß Þ protection." Ý ß
ß Þ [Klaus_Netto] Û Þ ÞÝ
Ý Û
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