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                 Emmylou Harris - Stumble Into Grace
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Artist...............: Emmylou Harris
Album................: Stumble Into Grace
Genre................: Country
Source...............: CD
Year.................: 2003
Ripper...............: Exact Audio Copy   (Secure mode) & 
Codec................: Free Lossless Audio Codec (FLAC)
Version..............: reference libFLAC 1.1.2 20050205
Quality..............: Lossless, (avg. compression: 59 %)
Channels.............: Stereo / 44100 HZ / 16 Bit
Tags.................: VorbisComment

Ripped by............: flaboy on 5/5/2007
Posted by............: flaboy on 5/7/2007
News Group(s)........: alt.binaries.sounds.lossless

Included.............: NFO, LOG, PAR v2, CUE
Covers...............: Front Back CD 

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                       Tracklisting
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   1. (00:03:48) Emmylou Harris - Here I Am
   2. (00:05:03) Emmylou Harris - I Will Dream
   3. (00:03:15) Emmylou Harris - Little Bird
   4. (00:04:37) Emmylou Harris - Time In Babylon
   5. (00:05:37) Emmylou Harris - Can You Hear Me Now
   6. (00:03:17) Emmylou Harris - Strong Hand
   7. (00:03:03) Emmylou Harris - Jupiter Rising
   8. (00:05:41) Emmylou Harris - O Evangeline
   9. (00:02:23) Emmylou Harris - Plaisir D'Amour
  10. (00:04:37) Emmylou Harris - Lost Unto This World
  11. (00:03:55) Emmylou Harris - Cup Of Kindness

Playing Time.........: 00:45:16
Total Size...........: 269.83 MB

NFO generated on.....: 5/7/2007 8:09:13 PM


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All Music Reviewby Mark Deming

There's something just the slightest bit comic about calling an Emmylou Harris 
album Stumble into Grace. While Harris has always sounded as if both earthly 
and spiritual grace were created with her in mind, when she sings, it seems 
she can no more stumble than a dolphin can be taught to walk on dry land. 
Stumble into Grace finds Harris following in the same creative path she began 
to pursue with Wrecking Ball and Red Dirt Girl, which is to say that the 
influence of her country-influenced material is more felt than heard as she 
dips her toes into the spectral and atmospheric accents of folk, indie pop, and 
world music. While Harris has long been just as interested in nuance and 
blank spaces as the notes of her songs, producer Malcolm Burn (who also 
collaborated with her on Red Dirt Girl) knows what to make of the 
purposefully spare surfaces of these new songs (which, again, like Red Dirt 
Girl, were, for the most part, written by Harris herself), and the results are 
splendid. Part of the revelation of Wrecking Ball and Red Dirt Girl was hearing 
Harris moving in a startling new direction, and while Stumble into Grace seems 
less novel in the context of its immediate predecessors, the bitter clarity of 
"Time in Babylon," the gentle but energetic textures of "Little Bird," and the 
funky shuffle of "Jupiter Rising" confirm that she hasn't run out of new 
avenues to explore. After three decades as a world-class talent, what's most 
heartening is that Harris is not only making some of the finest music of her 
career at a time when many artists would be treading water, but she's 
delightfully confounding expectations at the same time. Stumble into Grace 
shows she's still playing at the top of her game. 
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