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Þݱ±°°ÞÝ ÜÛÛÛÛßßßß FNT is fucking proud to present
ÜÛÞÛÛÛ Û ß
ßÛ ÞÝ Black Sabbath-Black Box-The Complete
Ü
ÞÝ
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Artist: Black Sabbath
Album: Black Box-The Complete Original Black Sabbath (1970
Label: Rhino
Genre: Metal
Rip date: Apr-25-2004
Street date: Apr-27-2004
Size: 502,8 MB
Type: Album
Quality: VBR kbps / 44.1kHz / Joint-Stereo
ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ
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°°° ±° Û²Û² °±±° Ü °° °°°°°°° ÛÛ ÜÜÜÜ ²ÛÜÜÜÜÜÜÜÜ²Û ßÛÛÜÜÜÜÜÛ²ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÛ²Ý
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Everybody knows that Black Sabbath's legacy rests
on their first four albums -- after that, they lost
their luster, or more precisely their mythic power.
At their peak, which is how they are remembered,
Sabbath was all about myth and power. Their very
name had an ominous resonance, capturing their
murky, foreboding sound perfectly. Taken at face
value, the lyrics of lead singer Ozzy Osbourne were
ridiculous, but delivered in his banshee wail and
supported by the oozing, primeval sludge of the
band, they could sound positively frightening, the
last testament of man slowly being pulled into the
dark corners of hell (there's something about their
music that lends itself to florid writing, as
well). That sound was intact on their 1970 debut,
and it seemingly came out of nowhere. Sure, some
psychedelic and acid rock bands were heavy, but
nobody approached the gloom of Black Sabbath,
nobody had the same sense of dread. Decades later,
after years of airplay, after years of imitators,
after their innovations have been assimilated,
their music still sounds out of time, still sounds
crushingly heavy and dark.Of course, that sentiment
doesn't apply to all of the music Black Sabbath
made -- Osbourne left the band in 1978 and the band
was never quite the same, but truth be told,
Sabbath lost their mythic power long before Ozzy
went solo. Starting with 1973's Sabbath Bloody
Sabbath, the group began to stretch out a bit on
their albums, giving guitarist Tony Iommi acoustic
spotlights, weaving synthesizers into their
tapestry of doom, gradually opening up the sound of
their records so much that they no longer had their
mystique. They still could sound like Sabbath, but
they didn't much feel like Sabbath anymore,
particularly on their last two LPs with Ozzy,
1976's Technical Ecstasy and 1978's Never Say Die!
This is the part of Sabbath history fans
conveniently forget when they celebrate the
original lineup, but it's rightly on display on
Rhino's lavish eight-CD box set Black Box: The
Complete Original Black Sabbath 1970-1978. Since
the original lineup does still retain a mythic
aura, some listeners unfamiliar with the trajectory
of the group's career might assume that the latter
four albums are all as heavy as Paranoid, and the
fact that they're not may be a surprise and it
might not be an altogether unpleasant one, too.
While conventional wisdom among fans and the band
is that the last two records are travesties,
they're not nearly as bad as their reputation would
suggest. They're certainly not what anybody looking
for prime Sabbath would want to hear, but the
varied production makes for interesting, albeit
dated, listens, while both Sabbath Bloody Sabbath
and 1974's Sabotage strike an effective blend of
heavy sludge and layered production. Yet no matter
how good those two albums are -- and despite fan
affection for them, they're underrated simply
because they exist in the shadow of Paranoid and
Master of Reality -- it's the first four that
define Sabbath, and they all have aged very well.
Yes, certain recording techniques and studio
conventions now sound a little dated, but they
retain their primal power.Since the music is
familiar, the real question with Black Box is
whether the package itself is worth buying. The
answer is a qualified yes. At first, it seems like
there's not much need for the box, since these
recordings have been reissued and packaged so many
times it seems that the group has a provision in
its contract demanding three new reissues in the
U.K. every year. Plus, Rhino had released the
excellent double-disc Symptom of the Universe in
2002, so not only were remasters easily available,
but there was also a good compilation in the U.S.
While all this is true, there's something to be
said for getting all the material in one place, and
there's little doubt that the package itself is
worthwhile for fans willing to spend one hundred
dollars for music they know by heart. The
remastering is good, the digipacks are nicely done,
the black velvet cover has good liner notes and
testimonials from musicians, and the art direction
cleverly is only in black and white, with not a
color shot to be found in the whole 78-page book.
Best of all, there's also a bonus DVD containing
footage from the widely circulated "Live at the
Beat Club" performance; it's only four tracks, but
it's a great example of Sabbath at their prime, and
it enriches this box. Ultimately, most listeners
are going to be content with any of the classic
four, but Black Box isn't meant for most listeners
-- it's meant for the devoted, and this box lives
up to their high expectations.
ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ
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°°° °±±° ÞÝ ÞÝ °±° °°°°°° ÛÛÜ ÜÜ ÛÛß ÜÛÛß Ü ²Û ÜÛÛß ÜÜ ÞÛÛ ÄÄÄ ÛÛ°Û²ÜÜÜÜÜÜ
°°° ±ßßß ÞÝß ÜÛ² ß°±° °°°°°° ßÛÛÜÜÜܲ۰ÞÛ²ÜÜÜÜÜÜÜÜÛÛÜÜÜÜÜÜÜÛÛÛÛÛÛÛÛ²ÜÜÜÜÜÜÜÛ²Ý
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cd1
01. Black Sabbath [06:19]
02. The Wizard [04:24]
03. Wasp-Behind the Wall of Sleep-Basically-Nib [09:45]
04. Wicked World [04:47]
05. A Bit of Finger-Sleeping Village-Warning [14:16]
06. Evil Woman (Bonus Track) [03:23]
cd2
01. War Pigs-Lukes Wall [07:57]
02. Paranoid [02:53]
03. Planet Caravan [04:32]
04. Iron Man [05:59]
05. Electric Funeral [04:53]
06. Hand of Doom [07:08]
07. Rat Salad [02:31]
08. Jack the Stripper-Fairies Wear Boots [06:15]
cd3
01. Sweet Leaf [05:05]
02. After Forever [05:27]
03. Embryo [00:28]
04. [CENSORED]ren of the Grave [05:18]
05. Orchid [01:31]
06. Lord of this World [05:27]
07. Solitude [05:02]
08. Into the Void [06:13]
cd4
01. Wheels of Confusion-The Straightener [08:02]
02. Tomorrows Dream [03:12]
03. Changes [04:45]
04. Fx [01:44]
05. Supernaut [04:50]
06. Snowblind [05:33]
07. Cornucopia [03:55]
08. Laguna Sunrise [02:56]
09. St Vitus Dance [02:30]
10. Under the Sun-Every Day Comes and Goes [05:53]
cd5
01. Sabbath Bloody Sabbath [05:45]
02. A National Acrobat [06:16]
03. Fluff [04:12]
04. Sabbra Cadabra [05:59]
05. Killing Yourself to Live [05:41]
06. Who Are You [04:11]
07. Looking for Today [05:06]
08. Spiral Architect [05:29]
cd6
01. Hole in the Sky [04:00]
02. Dont Start (Too Late) [00:49]
03. Symptom of the Universe [06:29]
04. Megalomania [09:46]
05. The Thrill of it All [05:56]
06. Supertzar [03:44]
07. Am I Going Insane (Radio) [04:17]
08. The Writ [08:46]
cd7
01. Back Street Kids [03:48]
02. You Wont Change Me [06:43]
03. Its Alright [04:05]
04. Gypsy [05:15]
05. All Moving Parts (Stand Still) [05:07]
06. Rock N Roll Doctor [03:31]
07. Shes Gone [04:59]
08. Dirty Women [07:14]
cd8
01. Never Say Die [03:50]
02. Johnny Blade [06:28]
03. Juniors Eyes [06:43]
04. A Hard Road [06:05]
05. Shock Wave [05:16]
06. Air Dance [05:17]
07. Over to You [05:23]
08. Breakout [02:35]
09. Swinging the Chain [04:17]
ÄÄÄÄÄÄÄÄÄ
335:55 min
ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ
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°°° ±° ÛÛÜÜßßÛÜÜÛßÝ ° °°°°°°°°°°°°°°° ÛÛ ÜÜÜÜ ²ÛÜÛ²ÜÜÜÜÜÜÜܲÛÜÜÛÛÜÜÛ²ÜÜÜÜÜÜÜÛ²Ý
ßßß °± ÞÛÜÜßßßÛÜÜÛ² ßßßßßßßßßßßßßßß ßß ßßßß ßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßß
ÛÛÛÛ °° ²ÛÜÛÛÛÛÛÛÛß ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
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FNT is more alive and kicking in 2004 than ever before, we stress
quality as our #1 issue and we're bringing you guys the best
new music from all genres. We have developed FNTx for everything
that doesn't fall into the usual FNT releases. We're not going
anywhere either... lets make 2004 a good one!
Providing quality releases since June 3rd, 2002
We are a CLOSED group! We are not accepting any new people, so don't
bother...
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