ÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛ
Û²²²²²²²Û Û²²²²²²ÛÛ²²²²²²²Û Û²²²²²²²ÛÛ²²²²²²²Û Û²²²²²²²Û
Û²²²²²²²²Û Û²²²²²²ÛÛ²²²²²²²Û Û²²²²²²²ÛÛ²²²²²²²Û Û²²²²²²²Û
Û²²²²²²²²²Û Û²²²²²²ÛÛÛÛ²²²²²Û Û²²²²²ÛÛÛÛÛÛ²²²²²Û Û²²²²²ÛÛÛ
Û²²²²²²²²²²Û Û²²²²²²Û Û²²²²²Û Û²²²²²Û Û²²²²²Û Û²²²²²Û
Û²²²²²²²²²²²Û Û²²²²²²Û Û²²²²²Û Û²²²²²Û Û²²²²²Û Û²²²²²Û
Û²²²²²²²Û²²²²Û Û²²²²²²Û Û²²²²²ÛÛÛÛÛÛÛ²²²²²Û Û²²²²²ÛÛÛÛÛÛÛ²²²²²Û
Û²²²²²²Û Û²²²²Û Û²²²²²²Û Û²²²²²²²²²²²²²²²²²Û Û²²²²²²²²²²²²²²²²²Û
Û²²²²²²Û Û²²²²Û²²²²²²²Û Û²²²²²²²²²²²²²²²²²Û Û²²²²²²²²²²²²²²²²²Û
Û²²²²²²Û Û²²²²²²²²²²²Û Û²²²²²ÛÛÛÛÛÛÛ²²²²²Û Û²²²²²ÛÛÛÛÛÛÛ²²²²²Û
Û²²²²²²Û Û²²²²²²²²²²Û Û²²²²²Û Û²²²²²Û Û²²²²²Û Û²²²²²Û
Û²²²²²²Û Û²²²²²²²²²Û Û²²²²²Û Û²²²²²Û Û²²²²²Û Û²²²²²Û
Û²²²²²²Û Û²²²²²²²²ÛÛÛÛ²²²²²Û Û²²²²²ÛÛÛÛÛÛ²²²²²Û Û²²²²²ÛÛÛ
Û²²²²²²Û Û²²²²²²²ÛÛ²²²²²²²Û Û²²²²²²²ÛÛ²²²²²²²Û Û²²²²²²²Û
Û²²²²²²Û Û²²²²²²ÛÛ²²²²²²²Û Û²²²²²²²ÛÛ²²²²²²²Û Û²²²²²²²Û
ÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ ÛÛÛÛÛÛÛÛÛ
,` `/` `. ,\
/` ` ' /, ' ,` \
Proudly ` / ` ` ' ,.,`, Presents
/-/- ``/= = \ ,`
'' ' @' @' ) \
You //|'/ ) |\ |\` With
( ,,',, )
\__ -- _/
`--'
Úúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúú¿
³ Beck-Guero-2005-NHH_INT ³
ÀúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúÙ
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Û±ÍÍÍÍÍÍúúúúúú ÚÄ¿ ÚÄÄ Ú ÚÄÄ Ú¿ ÚÄÄ¿ÚÄÄÄ Ú¿ Ú ÚÄÄ¿ÄÂÄÚÄÄÚÄÄ¿ úúúúúúÍÍÍÍÍͱÛ
Û±ÍÍÍÍÍÍúúúúúú ³ÄÀ¿ÃÄ ³ ÃÄ ÚÃÀ¿ÀÄÄ¿ÃÄÄ ³À¿³ ³ ³ ³ ÃÄ ÀÄÄ¿ úúúúúúÍÍÍÍÍͱÛ
Û±ÍÍÍÍÍÍúúúúúú À ÀÀÄÄ ÀÄÄ ÀÄÄÄÙ ÀÄÄÄÙÀÄÄÄ Ä ÀÙ ÀÄÄÙ À ÀÄÄÄÄÄÙ úúúúúúÍÍÍÍÍͱÛ
ÛßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßÛ
Û Artist : Beck Û
Û Album : Guero Û
Û Bitrate : VBR 180 Average KB/s (High Quality 44.1 kHz Joint Stereo) Û
Û URL : http://allmusic.com/cg/amg.dll?p=amg&sql=10:dzfqxqqsldfe Û
ÛÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÛ
Û Source : CD (LP) NFO [û] Û
Û Label : Interscope SFV [û] Û
Û Year : 2005 M3U [û] Û
Û Genre : Alt. Rock JPG [û] Û
Û Ripper : NHH Û
Û Rip date : 2008-08-07 Û
Û Store date : 2005-03-29 Û
Û Rip tool : EAC 0.99 prebeta 4 (Secure Mode) Û
Û Encoder : Lame 3.97 -V2 --vbr-new Û
Û Size : 96.86 megs Û
Û [CENSORED]# : 348102 Û
Û Supplier : NHH Û
ÛÀúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúÙÛ
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Û±ÍÍÍÍÍÍÍÍÍÍÍÍúúúúúúúúú ÄÂÄ ÚÄ¿ Ú¿ ÚÄÄ ¿Ú ÚÄÄ¿ úúúúúúúúúúúÍÍÍÍÍÍÍÍÍÍÍÍͱÛ
Û±ÍÍÍÍÍÍÍÍÍÍÍÍúúúúúúúúú ³ ³ÄÀ¿ÚÃÀ¿³ ÃÄ¿ ÀÄÄ¿ úúúúúúúúúúúÍÍÍÍÍÍÍÍÍÍÍÍͱÛ
Û±ÍÍÍÍÍÍÍÍÍÍÍÍúúúúúúúúú À À ÀÙ ÀÀÄÄÄÄ ÀÄÄÄÄÙ úúúúúúúúúúúÍÍÍÍÍÍÍÍÍÍÍÍͱÛ
ÛßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßÛ
Û Total Tracks : 13 Û
Û 1. E-Pro 5:05 Û
Û 2. Que Onda Guero 5:13 Û
Û 3. Girl 5:14 Û
Û 4. Missing 7:05 Û
Û 5. Black Tambourine 4:10 Û
Û 6. Earthquake Weather 6:38 Û
Û 7. Hell Yes 4:56 Û
Û 8. Broken Drum 6:44 Û
Û 9. Scarecrow 6:23 Û
Û 10. Go It Alone 6:13 Û
Û 11. Farewell Ride 6:27 Û
Û 12. Rental Car 4:39 Û
Û 13. Emergency Exit 6:03 Û
Û ----------------------------------------------------------------------- Û
Û 74:50 Û
ÛÀúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúÙÛ
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Û±ÍÍÍÍÍÍÍÍÍÍÍÍÍÍúúúúúúúúúúú Ú¿ Ú ÚÄÄ¿ÄÂÄÚÄÄÚÄÄ¿ úúúúúúúúúúúÍÍÍÍÍÍÍÍÍÍÍÍͱÛ
Û±ÍÍÍÍÍÍÍÍÍÍÍÍÍÍúúúúúúúúúúú ³À¿³ ³ ³ ³ ÃÄ ÀÄÄ¿ úúúúúúúúúúúÍÍÍÍÍÍÍÍÍÍÍÍͱÛ
Û±ÍÍÍÍÍÍÍÍÍÍÍÍÍÍúúúúúúúúúúú Ä ÀÙ ÀÄÄÙ À ÀÄÄÄÄÄÙ úúúúúúúúúúúÍÍÍÍÍÍÍÍÍÍÍÍͱÛ
ÛßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßÛ
Û Review by Stephen Thomas Erlewine Û
Û Û
Û Ever since his thrilling 1994 debut with Mellow Gold, each new Beck Û
Û album was a genuine pop cultural event, since it was never clear which Û
Û direction he would follow. Kicking off his career as equal parts Û
Û noise-prankster, indie folkster, alt-rocker, and ironic rapper, he's Û
Û gone to extremes, veering between garishly ironic party music to Û
Û brooding heartbroken Baroque pop, and this unpredictability is a large Û
Û part of his charm, since each album was distinct from the one before. Û
Û That remains true with Guero, his eighth album (sixth if you don't count Û
Û 1994's Stereopathetic Soul Manure and One Foot in the Grave, which some Û
Û don't), but the surprising thing here is that it sounds for all the Û
Û world like a good, straight-ahead, garden-variety Beck album, which is Û
Û something he'd never delivered prior to this 2005 release. In many ways, Û
Û Guero is deliberately designed as a classicist Beck album, a return to Û
Û the sound and aesthetic of his 1996 masterwork, Odelay. After all, he's Û
Û reteamed with the producing team of the Dust Brothers, who are widely Û
Û credited for the dense, sample-collage sound of Odelay, and the light, Û
Û bright Guero stands in stark contrast to the lush melancholy of 2002's Û
Û Sea Change while simultaneously bearing a knowing kinship to the sound Û
Û that brought him his greatest critical and commercial success in the Û
Û mid-'90s. This has all the trappings of being a cold, calculating Û
Û maneuver, but the album never plays as crass. Instead, it sounds as if Û
Û Beck, now a husband and father in his mid-thirties, is revisiting his Û
Û older aesthetic and sensibility from a new perspective. The sound has Û
Û remained essentially the same -- it's still a kaleidoscopic jumble of Û
Û pop, hip-hop, and indie rock, with some Brazilian and electro touches Û
Û thrown in -- but Beck is a hell of a lot calmer, never indulging in the Û
Û lyrical or musical flights of fancy or the absurdism that made Mellow Û
Û Gold and Odelay such giddy listens. He now operates with the skill and Û
Û precision of a craftsman, never dumping too many ideas into one song, Û
Û paring his words down to their essentials, mixing the record for a wider Û
Û audience than just his friends. Consequently, Guero never is as Û
Û surprising or enthralling as Odelay, but Beck is also not trying to be Û
Û as wild and funny as he was a decade ago. He's shifted away from Û
Û exaggerated wackiness -- which is good, since it wouldn't wear as well Û
Û on a 34 year old as it would on a man a decade younger -- and Û
Û concentrated on the record-making, winding up with a thoroughly Û
Û enjoyable LP that sounds warm and familiar upon the first play and gets Û
Û stronger with each spin. No, it's not a knockout, the way his first few Û
Û records were, but it's a successful mature variation on Odelay, one that Û
Û proves that Beck's sensibility will continue to reap rewards for him as Û
Û he enters his second decade of recording. Û
ÛÔùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùùù¾Û
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
Û±ÍÍÍÍÍÍÍÍÍúúúúúúúúú ÚÄÄ ÚÄ¿ ÚÄÄÚÄÄ ÄÂÄ Ä Ú¿ ÚÚÄÄ ÚÄÄ¿ úúúúúúúúúÍÍÍÍÍÍÍÍͱÛ
Û±ÍÍÍÍÍÍÍÍÍúúúúúúúúú ³ Ä¿³ÄÀ¿ÃÄ ÃÄ ³ ³ ³À¿³³ Ä¿ÀÄÄ¿ úúúúúúúúúÍÍÍÍÍÍÍÍͱÛ
Û±ÍÍÍÍÍÍÍÍÍúúúúúúúúú ÀÄÄÙÀ ÀÀÄÄÀÄÄÄ À À Ä ÀÙÀÄÄÙÄÄÄÙ úúúúúúúúúÍÍÍÍÍÍÍÍͱÛ
ÛßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßßÛ
Ûß Greets to our friends in FIH Recycled FRAY SNO & other groups that are ßÛ
Ûß doing their best. Always looking for more affils/sites. Contact us if youßÛ
Ûß have something. ßÛ
ÛÀúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúúÙÛ
ÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛÛ
ßßßÛÛßÛÛÛߺºßÛÛÛÛÛÛߺºßÛÛÛÛÛÛÛߺºßÛÛÛÛÛÛÛÛߺºßÛÛÛÛÛÛÛߺºßÛÛÛÛÛÛÛÛߺºßÛÛÛÛÛßÛßß
ÛÛÜÜÜÜܺºÜÜÜÜÜÜÜܺºÜÜÜÜÜÜÜÜܺºÜÜÜÜÜÜÜÜÜܺºÜÜÜÜÜÜÜÜܺºÜÜÜÜÜÜÜÜÜܺºÜÜÜÜÜÜÜÛ
ßßßßßÛÛººßßÛÛÛÛßߺºßßÛÛÛÛÛßߺºßßÛÛÛÛÛÛßߺºßßÛÛÛÛÛßߺºßßÛÛÛÛÛÛßߺºÛÛßßßßßß
ÛÛȺÍÍÍÍÍÍÍ͹ÈÍÍÍÍÍÍÍÍÍÌÈÍÍÍÍÍÍÍÍÍÍÌÈÍÍÍÍÍÍÍÍÍÌÈÍÍÍÍÍÍÍÍÍͺ¼ÛÛ
ÛÛ ³ ßß ³ ßß ³ ßßßß ³ ßßß ³ ßßßß ³ ÛÛ
,-,-. ,-_/,. . . ,-_/,.
` | | ,-. ,-. ,-. . . ' |_|/ ,-. ,-. ,-| ,-. ,-| ' |_|/ ,-. ,-.
| |-. ,-| | | | | | | /| | |-' ,-| | | |-' | | /| | | | `-.
,' `-' `-^ |-' |-' `-| `' `' `-' `-^ `-' `-' `-' `' `' `-' `-'
| | /|
' ' `-'
